


Woman before a Mirror
Henri de Toulouse-Lautrec
€39,90
Select sizeSize guide
- 380g/m² cotton canvas — certified museum quality
- Solid wood stretcher bar with 0.75” gallery wrap
- HD Giclée print — colour-true to the original
- Ready to hang — hanging hardware included
Woman before a Mirror (1897) is a striking intimate portrait by Henri de Toulouse-Lautrec, one of the most distinctive voices of Post-Impressionist Paris. Painted on cardboard — a surface Toulouse-Lautrec favored for its ability to absorb oil paint and create a dry, matte luminosity — this work captures a solitary woman engaged in the quiet ritual of self-contemplation. The mirror, a recurring motif in late nineteenth-century art, functions here as both a literal reflection and a philosophical device, inviting the viewer to consider identity, vanity, and the private female sphere.
Toulouse-Lautrec's signature style is unmistakable: loose, confident brushwork, a flattened sense of space influenced by Japanese woodblock prints, and a compassionate yet unflinching gaze at his subject. Rather than idealizing his figures, he rendered them with psychological depth and immediacy, elevating the everyday to the realm of the profound. This work belongs to the collection of The Metropolitan Museum of Art, New York, affirming its enduring cultural significance.
This museum-quality stretched canvas reproduction is printed on premium matte canvas and hand-stretched over a solid 0.75-inch wooden frame with a classic gallery wrap finish — ready to hang and built to last. Bring the elegance of a world-class collection into your home.
| Artist | Henri de Toulouse-Lautrec |
| Year | 1897 |
| Medium | Oil on cardboard |
| Dimensions | 24 1/2 x 18 1/2 in. (62.2 x 47 cm) |
| Collection | The Metropolitan Museum of Art, New York |
| Movement | Post-Impressionism |
| Available sizes | |
| Small | 20 × 25 cm (8″ × 10″) |
| Medium | 51 × 76 cm (20″ × 30″) |
| Large | 102 × 152 cm (40″ × 60″) |
| All sizes include a 0.75" gallery wrap. Ready to hang — no framing required. | |



