
Venice from the Bacino di San Marco
Francesco Guardi
€53,90
Select sizeSize guide
- 380g/m² cotton canvas — certified museum quality
- Solid wood stretcher bar with 0.75” gallery wrap
- HD Giclée print — colour-true to the original
- Ready to hang — hanging hardware included
Venice from the Bacino di San Marco is one of Francesco Guardi's most celebrated vedute — the genre of topographical cityscapes that captivated eighteenth-century European collectors and Grand Tour travelers alike. Painted circa 1765–75, this sweeping panorama captures the iconic Venetian lagoon as seen from the water, with the Doge's Palace, the Campanile, and the shimmering façades of the Serenissima stretching majestically across the horizon.
Unlike his more precise contemporary Canaletto, Guardi favored a vibrant, atmospheric brushwork that dissolves architecture into light and air. The flickering gondolas and silvery reflections on the Bacino convey the transient, luminous quality of Venice itself — a city perpetually balanced between grandeur and fragility. This work belongs to a tradition of Venetian vedutismo that would later influence the Impressionists, making it a pivotal bridge between Baroque tradition and modern sensibility.
Housed in the European Paintings collection of The Metropolitan Museum of Art, New York, this masterpiece is now available as a museum-quality stretched canvas reproduction. Printed on premium matte canvas and hand-wrapped over a 0.75-inch gallery-depth wooden frame, this gallery wrap print delivers rich color fidelity and timeless elegance — ready to display in any space without additional framing.
| Artist | Francesco Guardi |
| Year | ca. 1765–75 |
| Medium | Oil on canvas |
| Dimensions | 48 x 60 in. (121.9 x 152.4 cm) |
| Collection | The Metropolitan Museum of Art, New York |
| Movement | Baroque |
| Available sizes | |
| Small | 25 × 20 cm (10″ × 8″) |
| Medium | 76 × 51 cm (30″ × 20″) |
| Large | 152 × 102 cm (60″ × 40″) |
| All sizes include a 0.75" gallery wrap. Ready to hang — no framing required. | |



