Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

In this remarkable double portrait, painted around 1635, Peter Paul Rubens depicts his second wife, Helena Fourment (1614–1673), and their young son Frans (1633–1678), in a work of unusual tenderness for a genre normally reserved for formal representation. Rubens married the sixteen-year-old Helena four years after the death of his first wife, and she would go on to appear, transformed into goddesses and saints, throughout the remainder of his career — but here she appears simply as a mother, unguarded and warm.

The painting's history is as dramatic as its subject: seized by the Nazis from the Paris collection of Baron Édouard de Rothschild during the Second World War, it was restituted to the family in 1946. Rubens's fluid, confident brushwork and warm palette exemplify the intimate, domestic register he reserved for his own family, distinct from the grand mythological and religious commissions that made his public reputation.

Held in the collection of The Metropolitan Museum of Art, New York, this masterwork is presented here as a premium stretched canvas reproduction, printed on museum-quality matte canvas and hand-wrapped around a solid 0.75-inch gallery wrap frame — ready to hang and built to last.