Count Giacomo Durazzo (1717–1794) and Ernestine Aloisia Ungnad von Weissenwolff (1732–1794)

Count Giacomo Durazzo and Ernestine Aloisia Ungnad von Weissenwolff, painted in the early 1760s by Martin van Meytens the Younger, court painter to the Habsburg Empress Maria Theresa, presents the Genoese diplomat Giacomo Durazzo alongside his wife in the guise of huntsman and companion. Durazzo arrived in Vienna in 1749 and, as director of the imperial theaters from 1754 to 1764, played a decisive role in promoting Christoph Willibald Gluck's reform of Italian opera.

Meytens, the leading portraitist of the Viennese court, renders the couple with the polished elegance and meticulous attention to costume and texture characteristic of mid-eighteenth-century court portraiture. The hunting motif, a fashionable conceit for aristocratic double portraits of the period, allowed the sitters to be presented amid an idealized natural setting that softened the formality typically associated with official court likenesses.

Held in the collection of The Metropolitan Museum of Art, New York, this museum-quality stretched canvas reproduction is printed on premium matte canvas and hand-wrapped around a solid 0.75-inch gallery wrap frame — ready to hang and built to last.